When I decided to buy another M8 after taking a year and a half off from it (yes, I missed it dearly) I took a week to decide which lenses to start with. I had a set budget (correction...my Mastercard had a budget) and wanted to get a 28mm and a fast 50. I have read about and have seen many many images taken with an M8 and 28 Summicron, which is Leica’s F2 28. The only issue is, the Summicron is now $4000! One prime lens, $4000! My M8 itself was that much so I did not see myself shelling out $4k for a lens.

I remembered that Leica introduced this 28 Elmarit shortly after the M8’s intro and designed it with the M8 in mind so I seriously started looking into this lens. I scoured the net, photo blogs, forums, review sites and what did I find? NOT MUCH! I saw one glowing review that seemed a bit TOO glowing as this guy was putting down the 28 Summicron, all the while praising this “cheaper” Elmarit though he never used the Cron. Summicron 28 ASPH = $4000. Elmarit 28 ASPH = $1795. How could this little “cheaper” lens perform better than a more expensive LEGENDARY lens?

My curiosity got to me. After all, if I ordered it I could always return it if it did not perform up to my expectations. That is why I love buying from B&H. They have a GREAT return policy that allows for easy returns if an item does not do it for you. So there I was..I placed the M8 in my cart, then I changed my mind! I instead put in a 28 Summicron and a 50 Zeiss Planar. I wanted a fast 50 and I know first hand from previous ownership that the 50 Summilux ASPH is the best 50 in the world, but it is $3500, Zeiss is $900. I decided to splurge on the 28mm Cron instead.

BUT....

Just as I was about to place the order I decided to sleep on it. So I did, for another week. Finally I decided to stick with what I knew was a remarkable, legendary lens - The 50 Summilux ASPH and that meant I had to go cheap on the 28. I ended up finding a deal on the 50 Summilux ASPH at another great Leica dealer so that was even better. After all of the drama and changing my mind I placed the order and patiently waited, and waited, and waited for the Fed Ex guy who was to arrive just 14 hours after I placed the order! Yes, I am an impatient man.

I could not wait for DAYS?!?! I had to have this camera and lens kit NOW!! When it did arrive I took out the 28 Elmarit and my first thought was “THIS cost me $1795?!?” I was standing there looking confused. It was super light, super small and I was $1800 poorer! What mattered most to me though was pure performance so I slapped her on the M8 and took my 1st shot with the new gear. Here is that 1st picture:

When I reviewed this file, which was snapped at F2.8, wide open as just a “snap” I was pleasantly surprised. The subtle tones and color caught my attention and I then decided I had to get out of the house and go shoot this lens.

So I head out on a drive and wanted to test out what this lens could do.  How is the color? The contrast? As I have said before, I am not a “pixel peeper” and not a scientific review guy. I like real world results, which is what we all strive for anyway. When I buy a lens I am not buying it for its ultimate resolution or if it can make newspaper print sharper than it appears in the paper itself. I look for character. Plain and simple. Does this lens have character? Well, I will let you decide for yourself.

Below is a series of shots all taken with this 28 Elmarit, Leicas least expensive 28mm Lens. Click on each photo for a larger version. Also, keep in mind, these shots have all been converted from RAW in Adobe Camera Raw. They have been resized, levels adjusted and in some cases have had color tweaked or have been converted to Black and White. A digital darkroom is necessary if you want to create shots with YOUR own style. I believe that NO camera today produces an out of camera shot that looks absolutely spectacular. But, that is just my opinion. When clicking on the shots they will open in the same window so just hit back on your browser to come back here. Here are the shots:

ROCK CITY - 28 Elmarit at 5.6 - ISO 160 - Converted to B&W

These are just a few of the shots that I took with the Elmarit since I purchased it and all of the above samples have had some photoshop processing. I also took a series of shots to test sharpness at all apertures so you can judge sharpness right out of the camera. Here is the scene.

CLICK THE IMAGE ABOVE FOR FULL SIZE F 5.6 IMAGE

Now, the 100% crops at each aperture. These are NOT processed in PS. These are crops just as they came out of Capture One converted from RAW:

As you can see its pretty sharp at 2.8 and stays that way through F11 with F4 through F11 being the sweet spot. F22 is a bit hazy. The above are 100% crops of the images as they came out of Capture One which is what I used or the RAW conversion.

This review is not like others out there as I am showing the shots that I took with this Lens and an M8 that have been resized, had levels adjusted and colors tweaked. I believe in the final result. I really do not care what an out of camera shot looks like as long as its decently sharp, in focus and has decent white balance. I did provide the samples above so you can judge sharpness. What this test does show is that the Leica 28 Elmarit is sharp all through its range, maybe a little off at F22 but that is to be expected.